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DE HABLAR CONMIGO DE JOSÉ GANIVET ZARCOS

to talk to me
José Ganivet Zarcos
Ed Zumaya, 2010
77 pp. 12 euros



José Ganivet Zarcos, professionally dedicated to teaching us the poems speak to me . By its name one might pensar que el contenido del poemario llevaría consigo una autoreflexión y que giraría en torno al yo, en este caso al yo poético. Sin embargo De hablar conmigo es un libro que posee mucho de contemplación, no en vano una buena parte del mismo contiene poemas donde la descripción de paisajes y naturaleza resulta fundamental.

Es De hablar conmigo un libro de temática y formas variadas. En materia formal, y pese al predominio del soneto, existen otros tipos de composiciones sin rima. Sobre el tema ya he destacado la presencia del paisaje como elemento fundamental, pero hablamos de un paisaje cercano, un paisaje que sirve de referente al autor, paisajes conocidos quizá of children, visited places that have left their mark both to sing and to describe its content. Perhaps at that point we find the self-reference that denotes the title talk to me. "He talks to himself through the landscapes that were impregnated in their memories? Do you serve those same memories to ask yourself?

Another remarkable aspect is the presence of large presence of elements that bring us together or talk about religion. It is possible that this interest comes as the spiritual in these poems by an underlying concern of the author, not in vain in his own biography says his numerous collaborations on work background religious.

melancholy also contains a sediment present in many poems. Melancholy does not exclude certain vitality - "overflowing rivers in the life" (p.13) -. However dominates the second part of the book a romantic bias as general notes throughout it the presence of an expression with a tendency to archaism.

is the poetry of José Ganivet Zarcos a poetry that seeks not the stylistic device but does contain a special care of the language, probably because the sediment that exudes classical poetry reminiscent of modernist and Machado.

Of all poems highlight this:

Sthendal Syndrome

Each tower rises like an angel on the bridge
lit Arno;
like a forest of warheads by efebos
defended with deep and Facas.

alienates the soul, the foundation, thus foreshortening
marble stripped,
both sublime gesture, so much grace, redeemed
time and clumsiness.

Then look at your eyes with your eyes,
the ravages of time in the mirror,
consumed the mouth, without leaves,

and established the urine in doorways, spread moisture
sockets

and this rust drowns roadways.